Most recently appeared at the
Daryl Roth Theatre in
Manuscript, directed by Bob Balaban, and prior to that was seen in
Theresa Rebeck'snew play
The Bells at the
McCarter Theatre. She appeared in the
Royal Court's National Tour of
4.48 Psychosis, which included stops in New York & Los Angeles. Other NY credits include
Far Away &
Nocturne (both at
New York Theatre Workshop), the title role in
Sabina (Primary Stages),
The Triple Happiness (2nd Stage),
The Harlequin Studies (Signature Theatre),
Fighting Words (Underwood),
Where We're Born (Rattlestick), and
Savannah Bay (Classic Stage).
Regional:Heartbreak House (Goodman),
Warren Leight's James & Annie (Ensemble Theatre of Cincinnati),
Proof (Delaware Theatre Co.),
Nocturne (ART),
The Glass Menagerie (Foothills Theatre),
Shel's Shorts (Market Theatre). TV:
Law & Order: Criminal Intent,
The Webster Report (pilot). She is a NYTW Usual Suspect.
Marin Ireland as Sadie in If You Could Say It In Words.
In Nelson's shabby apartment, following an eventful birthday dinner.
Fed up at a New York casting office.
Engaged in a breakfast-time battle of wits.
"I don't want to be clever right now."
Sadie in her enchanted cave.
Regarding the unfinished triptych.
Sadie checks Nelson's reaction to her favorite band.
A tense discussion in the car, following the birthday dinner.
Sadie regards her reflection at the Labor Day party.
Sadie at her desk.
Sadie hears something from Julia she hadn't expected.
Sadie looks on in mock horror as Nelson tries on suits for their upcoming dinner.
Sadie tells Mark a thing or two behind closed doors.
Sadie reacts to Nelson's depiction of his blues record collection.
Sadie doesn't appreciate Maria criticizing her love life at work. Or anytime.
Sadie doesn't buy what Maria's selling.
Sadie at her receptionist's post... seeing something unsavory.
Marin's sister Dawn visited the set during the Philly shoot.
